Daniel Abbott, Associate Professor of Music, emeritus
Biography coming soon.
Anderson, Professor of Music, emeritus is one of the
leading composers of his generation. He was born August 17, 1928 in
Coatesville, Pennsylvania and received degrees from West Virginia
State College, Penn State University, and a Ph.D in Composition from
the University of Iowa. He also holds several honorary degrees.
After serving as Chairman of the Department of Music at Tufts
University for eight years, Thomas Jefferson Anderson became Austin
Fletcher Professor of Music and in 1990 became Austin Fletcher
Professor of Music Emeritus. He now lives in Chapel Hill, North
Carolina where he devotes full time to writing music.
Jane A. Bernstein,
Austin Fletcher Professor of Music Emerita.
B.A., City College of New York, 1967. M.Mus., University of Massachusetts, 1968. Ph.D., University of California at Berkeley, 1974. Musicologist.
Primary research interests center on Renaissance music, women's studies, and
nineteenth-century Italian opera. In 1999, she won the Otto Kinkeldey Award
from the American Musicological Society for Music Printing in Renaissance
Venice: The Scotto Press (1539–1572) and, in 2005, her book Women's Voices
across Musical Worlds was named a finalist for the Pauline Alderman Award
from International Alliance for Women in Music. Her other major publications
include Print Culture and Music in Sixteenth-Century Venice (2002), the
thirty-volume series The Sixteenth-Century Chanson, Philip Van Wilder:
Collected Works, and French Chansons of the Sixteenth Century. She is
currently working on a book about music print culture in Renaissance Rome.
Bernstein has received fellowships and grants from the Guggenheim Foundation,
the National Endowment for the Humanities, the American Council of Learned Societies,
the American Philosophical Society, and the Gladys Delmas Foundation for Venetian
Studies. In 2005 she was elected a Fellow of the American Academy of Arts and Sciences.
She served as President of the American Musicological Society in 2008-10 and was
conferred Honorary Member of the Society in 2014.
DeVoto, Professor of Music, emeritus.
College, 1961. M.F.A., 1963, and Ph.D., 1967, Princeton University.
Composer, writer, and musicologist. Compiler, Mostly Short Pieces:
An Anthology for Harmonic Analysis. Co-author (with Walter Piston),
Harmony, 5th edition. Research on Alban Berg, Debussy, Schubert,
Stravinsky, history of late nineteenth and early twentieth-century
music. Appointed 1981.
Visit his webpage for more information on Professor DeVoto and a
short version of his CV.
Professor of Music, emeritus. B.A. and B.Mus., Lawrence University;
M.M.A., Piano Performance,
Yale School of Music; Ph.D., Music Theory, Yale University, 1979.
Author of Berg's Wozzeck: Harmonic Language and Dramatic Design,
and of articles on analysis-performance relationships, Berg's Piano
Sonata, Op. 1, works by Purcell, Beethoven, Schubert, Schumann, and
Chopin, and the idea of musical form as process. President,
New England Conference of Music Theorists, 1993-95. President,
Society for Music Theory, 1997-99. Performances as pianist have
included chamber, concerto, and solo music. Her new book was
released in Spring 2011 by Oxford University Press; its title is
In the Process of Becoming: Analytic and Philosophical Perspectives on
Form in Early Nineteenth-Century Music. Appointed 1995.