Professor of the Practice and Director of Curatorial Studies
Historic, Modern, and Contemporary American art; African-American visual culture, artistic practices, and visual expressive traditions; Visual literacy; Anti-Racist Approaches to Museum and Curatorial Pratice
Ancient Near Eastern and Mediterranean art and architecture, especially in the 1st millennium BCE; materiality studies; ancient magic and religion; reception and museum histories.
Medieval art, architecture, and visual culture in Europe and the Byzantine-Slavic cultural spheres; image theory; historiography; patronage; monasticism; cross-cultural interactions
Her research spans many forms of visual culture: she has published and presented on how new scientific approaches to the unconscious mind informed the work of American artists and critics in the early 20th century; on poetic satire and pictorial criticism of modernism in the 1916 Spectra hoax; on transatlantic encounters with the oceanic commons in art; on coordinated human and animal aesthetics in millinery fashion; and on the fabrication and perception of fly fishing lures, among other examples of 19th century 'ecologies of mind.'
